This will usually be no higher than 55hz at the very most. Placing a high pass filter just before your kick drums first sub-harmonic can do a lot to tighten up the sound of it when mixing. Using a High-Pass filter to tighten up the kick. Although, this may seem surprising for a bass heavy instrument, there can still be unnecessary content in the extreme lows. Cutting it out with an EQ that has a fairly tight bandwidth can help bring out the more pleasing areas.Īnother area that’s up for debate between engineers is cutting out low end content with a high pass filter. This is an area where unnecessary frequency build up can cause a boxy, almost cardboard sound. The 400Hz-500Hz is a common area to cut content.Ī common area to cause problems is the 400Hz – 500Hz range. Things aren’t any different with kick but there generally shouldn’t be too much that needs to be removed. The usual approach when using EQ on any instrument is to start by removing unnecessary content before you add anything. So, we’ve dedicated this entire post to helping up and coming engineers master professional tricks for getting the kick to sit in a mix. Unfortunately, there are a lot of misconceptions around properly mixing the kick drum and it’s not given nearly enough attention in the mix stage. It often serves as the heartbeat that keeps all other elements glued together forward and creates a foundation for the production. The kick drum is an integral piece to master when mixing a song.
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